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1
PETER PAN (a new & original music album)
PETER PAN (a new & original music album)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Dennis A
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PETER PAN
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Tyne Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.999338 Composed by Dennis A. Westgate. Children,Contemporary,Musical/Show,World. Score. 48 pages. Tyne Music #5820845. Pu...
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Piano Solo - Level 4 - SKU: A0.999338 Composed by Dennis A. Westgate. Children,Contemporary,Musical/Show,World. Score. 48 pages. Tyne Music #5820845. Published by Tyne Music (A0.999338). PETER PAN is the 4th in this series of 'Bespoke Music Albums' (https://www.tynemusic.com) I wrote by request for my friends Charlotte & Donna, the Producer/Directors of 'We Are Theatre.(http://www.wearetheatre.co.uk) - Each songbook was composed from their own libretto and based on well known classical children's stories. Each of the songs is based around the story and main characters. (Pinocchio is a ready-made album of new & original songs, tailor-made for you to add your own libretto)These are the song titles:- 1) Neverland 2) Make it So 3) I Wish I Could Fly 4) Another Boy Like Me 5) A Pirate’s Life 6) Captain Hooj’s Lament 7) All Play - No Work 8) With Angel’s Wings 9) The Finale SongPLEASE NOTE: If you wish to use the actual book to produce PETER PAN, you must first contact:-
$14.00 ≈
12.92€
The Mikado Overture
The Mikado Overture
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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Marcus Martin
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The Mikado Overture
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Cornelius Edition
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1421898 Composed by Sir Arthur Seymour Sullivan. Arranged by Marcus Martin. 19th Century,Broadway,Musical/Show,Opera. Sco...
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Piano Solo - Level 4 - SKU: A0.1421898 Composed by Sir Arthur Seymour Sullivan. Arranged by Marcus Martin. 19th Century,Broadway,Musical/Show,Opera. Score. 11 pages. Cornelius Edition (uk) #1003230. Published by Cornelius Edition (uk) (A0.1421898). The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations. It opened on 14 March 1885, in London, where it ran at the Savoy Theatre for 672 performances. The popular overture contains several themes from the opera and makes an attractive piano solo lasting about 8 minutes.
$5.99 ≈
5.53€
Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment)
Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Flavio Regis Cunha
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Bach: Erbarme dich mein Gott -
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Flavio Regis Cunha
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SheetMusicPlus
Instrumental Solo,Piano - Level 4 - SKU: A0.1134097 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,...
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Instrumental Solo,Piano - Level 4 - SKU: A0.1134097 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Wedding. Score and individual part. 12 pages. Flavio Regis Cunha #734195. Published by Flavio Regis Cunha (A0.1134097). Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment) Optional: Flute, Oboe and Violin. This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for C instruments and Piano accompaniment. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra. Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha.
$4.99 ≈
4.61€
Intermezzo from 'Fedora'
Intermezzo from 'Fedora'
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Giodano
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Marcus Martin
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Intermezzo from 'Fedora'
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Cornelius Edition
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1366904 Composed by Giodano. Arranged by Marcus Martin. 19th Century,Opera,Romantic Period. Score. 2 pages. Cornelius Edi...
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Piano Solo - Level 4 - SKU: A0.1366904 Composed by Giodano. Arranged by Marcus Martin. 19th Century,Opera,Romantic Period. Score. 2 pages. Cornelius Edition (uk) #951241. Published by Cornelius Edition (uk) (A0.1366904). Along with the opera’s ‘Andrea Chénier’ and ‘Siberia’, ‘Fedora’ is one of the most notable works of Italian composer Umberto  Giordano. ‘Fedora’ is an opera in three acts to an Italian libretto by Arturo Colautti, based on the 1882 play ‘Fédora’ by Victorien Sardou. The wonderful ‘Intermezzo’ from the 2nd act became well known in itself and is recorded many times. This arrangement is for piano solo.
$3.99 ≈
3.68€
J.S. Bach - "Erbarme dich" from "Matthäus-Passion" (St. Matthew Passion) BWV 244 (for Piano Solo)
J.S. Bach - "Erbarme dich" from "Matthäus-Passion" (St. Matthew Passion) BWV 244 (for Piano Solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Flavio Regis Cunha
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J.S. Bach - "Erbarme dich
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1136271 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Easter,Instructional,...
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Piano Solo - Level 4 - SKU: A0.1136271 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Easter,Instructional,Sacred,Wedding. Score. 12 pages. Flavio Regis Cunha #736279. Published by Flavio Regis Cunha (A0.1136271). Bach: Erbarme dich mein Gott - Matthäuspassion - (for Piano Solo).This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Piano Solo. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra. Advanced Intermediate.Format: Concert 9 x 12 inches.12 Pages.
$4.99 ≈
4.61€
The Pirates of Penzance Overture
The Pirates of Penzance Overture
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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Berthold Tours
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The Pirates of Penzance Overtu
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Cornelius Edition
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1224342 Composed by Sir Arthur Seymour Sullivan. Arranged by Berthold Tours. 19th Century,Opera. Score. 9 pages. Corneliu...
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Piano Solo - Level 4 - SKU: A0.1224342 Composed by Sir Arthur Seymour Sullivan. Arranged by Berthold Tours. 19th Century,Opera. Score. 9 pages. Cornelius Edition (uk) #820446. Published by Cornelius Edition (uk) (A0.1224342). The Pirates of Penzance (or The Slave of Duty) is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. Its official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879. The overture makes an attractive piano solo.
$4.99 ≈
4.61€
Claude Debussy: Fêtes Galantes for solo piano, completed by Robert Orledge
Claude Debussy: Fêtes Galantes for solo piano, completed by Robert Orledge
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Fêtes Ga
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.534653 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. 16 pages. Musik ...
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Piano Solo - Level 4 - SKU: A0.534653 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. 16 pages. Musik Fabrik Music Publishing #5726995. Published by Musik Fabrik Music Publishing (A0.534653). Recorded for Grand Piano (GP822) by Nicolas Horvath.IFêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres. The action is set in a park àla Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin..This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle Joyeuse (1904). Following Laloy’s scenario, the mas-queraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.
$12.95 ≈
11.96€
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Claude Debussy: Prléude à L'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Reci...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)
Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwall and that ?Isolde of the White Hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.
The idea of a Tristan that restored its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.
Unfortunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bédier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
Robert Orledge
$10.35 ≈
9.56€
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